Digital Spaces Leave Creative Traces

As a society living in the information age we have gotten used to being surrounded by technology that is ever-changing and evolving. The impact that digital innovation has had on consumerism and convenience is insurmountable and is still advancing at a fast pace. Technology is not only a space within itself, it is also a means of production, a place of collaboration and source of inspiration. Some argue that technology has hindered creativity by making production so easily available to everybody. I believe that technology expands intellectual possibilities and by automating part of the creative process, we can in turn all be more productive and creative.

Creativity functions on intent, the intent to generate useful ideas through innovation. That being said, there are a multitude of creative digital spaces that have not only given individuals a platform to collaborate, but have also expounded on the possibilities of artistic creation. Technology in the current age plays a pivotal role both in how we think about things but also how we create. Technology has transformed the human experience because we are no longer separated by time and space, but rather part of an interconnected network of information. The digital revolution has brought about an immense amount of innovative products and services that are accessible by everyone.

Seemingly innocuous programs and platforms have allowed for creativity to flourish. Let me take you on a journey of what technological spaces have allowed for the cultivation of my creativity. Steve Jobs once said; “The best way to create value in the 21st century is to connect creativity with technology.” Something tells me he was on to something.

In my previous post PSjustwords I spoke to you guys about my first experience openly sharing my artwork and writing with my peers. This process I still find quite difficult at times, especially if what I'm sharing is extremely personal. What I have found to help in regards to shedding that nervous barrier is publishing my writing via Tumblr, a multi-media digital platform that acts as my low-key virtual journal. The best quality that this website and application has is the fact that its users are extremely art oriented. Whenever I feel the least bit uninspired I open up my Tumblr feed and I'm immediately bombarded with beautiful image after image, line after line of prose and posts filled with raw and honest emotion.

Creating artistic content sometimes becomes extremely time consuming and complex. As artists we are always attempting to push boundaries and create constantly, but some of the time our vision has to wait until we get our hands on a computer, luckily with everything behind the screen of our smartphones, creating has never been easier. Meet EasyTiger Apps, a company whose goal it is to promote creativity by creating moments...sound familiar?

My obsession with fonts and layout extends to my artwork, which is why these apps have opened numerous creative doors for me. I am constantly playing with different typeface as well as attempting to recreate them freehand. EasyTiger Apps has a few applications that have broadened my font horizon, these platforms not only have unique fonts built into them they also have image overlay and integration capabilities. These are my favorites;

• FontCandy: Typography & Design
• Fused: Photo Editor & Double Exposure Video Blender
• SplitPic Pro: Photo Collage Editor

Made with FontCandy

Made with Fused

Made with Fused

Yes, I did opt to purchase the full version of each of these apps for the reason that the additional features really are worth the extra couple dollars. Your creativity will thank you, I promise.

Next, I want to touch upon Canva, a website that I found only about a year ago that has given me a simple platform to put together digital mediums into cohesive projects. The Adobe Suite is a complex digital world full of millions of options, buttons and ways to create a desired piece of work, Canva on the other had is similar to Photoshop or Indesign except simplified times a thousand. With plenty of templates for inspiration, Canva allows anyone to dabble with digital design. It has helped me out tremendously in completing projects without the headache that Adobe comes with. As I had mentioned in another one of my previous posts How Hospitality Helped My Creativity I mention that I began to dabble with digital design at my current job at a boutique hotel, I used Canva to add text to hotel imagery and edit together promotional flyers at ease. Although Adobe is vital to creating high quality work, this website can be used for supplemental design work because it gives its user a portable space with many helpful and useful design tools.

Made with Canva

Overall, digital tools have allowed for insurmountable growth in the amount of creativity that permeates our society. Now more than ever, everyone has the ability to express themselves and become an artist.

Keep on creating. xx
P. S.

Guggenheim | Inspiration Galore

Continuing on my journey of discovering inspirational and creative spaces, I ventured to The Guggenheim, a staple of the New York City art scene since its opening in 1959. Not only is the architecture of this building stunning, the interior aestheticism will take you for a spin (literally).

Upon entering this beautiful behemoth of spiraling gallery space, museum goers are escorted into an elevator and taken up to the sixth floor in order to begin their descent down each floor of exhibitions. The unique architecture of the space is an experience in itself, the unconventional rotunda design provides visitors a fluid sense of interacting with the contemporary collections in a way that feels more personal. As I began working my way down each floor I couldn't help but notice the amount of young artists that stood along the sidelines, sketchbook and pencil in hand, consumed with the artwork in front of them in attempt to find inspiration in the work of the greats. Frank Lloyd Wright, the architect behind the art museum, sought to elevate and enhance the human experience through his designs and I must say he succeeded.

Vision by Alphonse Osbert

From Van Goh to Picasso and every great artists in-between the stark contrast of the slanting white walls and the modernism adorning them draws your undivided attention into each individual piece. As I was working my way past Calder and Pollock, I noticed something ahead, something that didn't match the rest...was that a burgundy hallway in the distance? Yes, it was in fact and it led to my favorite exhibition, Mystical Symbolism: The Salon de la Rose+Croix in Paris 1982-1987. The exhibition space features works that take a step away from the contemporary and more modern art of the main space of the Guggenheim and takes you to a more magical and extravagant artistic point of view. With blue velvet sofas accenting the space and beautiful frames surrounding the paintings, I was completely enamored with the change in atmosphere.

The Death of Orpheus by Jean Delville

Personage by Joan Miró

Stepping back into the main space, I continued in my journey through contemporary art and I had a startling realization. I realized how many people move through the museum as quickly as possible without noticing the very short, yet in depth descriptions written about specific works of art that hide within them insight into the minds of artists and their creative process. As an artist I believe it is imperative to understand how other creative minds work, because that open-mindedness allows for the flow and exchange of creative energy. The beauty behind visiting an art museum is just that, allowing yourself to be immersed into the inner-world of an artist through each and every work of art they produce because those canvases are an extension of their being.Although some may joke and ask, "How does this piece make you feel?" that is the point of art to my understanding; creating a piece of work that makes someone feel something, whatever that may be.

Take Miró for example in the above description of his creative process, without reading the description how could one understand the process behind the abstract Personage painting? Now I'm not saying that every artist has to go through a hunger-induced hallucination to create art, but there is beauty in such madness.

The Guggenheim as an entirety opened my mind to the experience of a space and the impact that has on perception, from the architecture to the pragmatic placement of each piece of work the space speaks to the creative process. After leaving the museum, my interest in the uniqueness of the experience left me with a thirst for wanting to know more in how it all came together. So of course, as any millennial would, I took to my right-hand man Google and it all started to make sense in why the nonsense felt so right. In an excerpt from an article about the museum's architect, Frank Lloyd Wright and his creative process;

Good architecture, Wright wrote in a 1908 essay, should promote the democratic ideal of "the highest possible expression of the individual as a unit not inconsistent with a harmonious whole." That vision animates the Guggenheim Museum. In the course of descending the building's spiral ramp, a visitor can focus on works of art without losing awareness of other museumgoers above and below. To that bifocal consciousness, the Guggenheim adds a novel element: a sense of passing time. "The strange thing about the ramp—I always feel I am in a space-time continuum, because I see where I've been and where I'm going," says Bruce Brooks Pfeiffer, director of the Frank Lloyd Wright Archives in Scottsdale, Arizona.

Every moment of my time within this space made me feel as though I were taken into another realm, one that allowed a pure and personal experience of interacting with art, yet also a very conscious collective experience of existing within the space itself.

Keep it creative xx

P. S.

PSjustwords

Creative growth is something that is vital to existing as an artist. I have been on this journey of passion for as long as I can remember, but it wasn't until a little over four years ago during a college drawing class that I had realized that I needed to spill my thoughts onto paper. So let me take you on a little part of of my personal creative journey, and share with you the moment that ignited my creative spark and has kept me going to this day; my final presentation given to a class of thirty, hands shaking, voice breaking and heart racing. With the backdrop of sleepless nights of meticulous creative passion behind me; ink, paint and words—lots of words, I made myself vulnerable.

We wander these streets wondering if maybe one of these days we’re going to find ourselves amongst the chaos, among the trees, hiding and yearning to be found. Everyday I wander and search for something that can’t be found, something that maybe doesn’t exist. That something is passion, passion for something, someone, ourselves. Passion exists. It is something so beautiful and powerful that most of the time is a feeling so incomprehensible that we believe that we are incapable of possessing it. I am a wanderer…lost in a sea of madness. The world that surrounds me is mediocre at best, exciting yes, interesting maybe, but pointless without being passionate about something. This is where I truly lose myself…I realize that I am not passionate about anything. Reaching deep down into my soul I realize that I do possess a passion, a passion to create and discover parts of myself that I did not know existed. It is amazing to realize that a soul so young can be so complex. These thoughts that only now I have been able to acknowledge have been burning a hole in who I am. I was lost and still am, but the road that I have finally discovered, the one that leads to to the deepest and darkest parts of myself is finally one that I feel brave enough to explore and conquer. On this road I will find pieces of a broken person, pieces of a broken heart and pieces of who I actually am. Picking up the pieces of something that is broken is difficult and putting that something back together requires tedious effort. This is something that I am finally prepared to do. At last I am brave enough to realize who I am and who I want to be. • 3:03 pm  •  11 April 2014

To be great is to be misunderstood. I tremble with the need to unravel the vines that are clinging to my throat and wrap around my brain. The words come out like spilled coffee…no mercy. But virgin ears refuse to acknowledge my madness.• 2:07 am  •  16 April 2014

 
Why is it that throughout our lives we yearn for the most impossible, unrealistic, fucked up, frivolous, dangerous and ridiculous things? This happens because we are all dreamers lost in a sea of madness. This world is cruel and unfair and we have to deal with the consequences of treading the unknown, but the most beautifully powerful thing that we own is curiosity which leads us to discover ourselves alongside the universe that surrounds us. This universe is marvelous, something so immense and terrifying that we choose to throw ourselves into it hoping that one day we will run into the person that we want to be. Our lives are compiled of a finite number of moments that define the legacy we will eventually leave behind. In this compilation of moments there are many that lead us to ponder self destruction. What I have learned is that as we perpetually destroy ourselves we learn to take a step back and realize how broken we are. This brokenness is something that should be embraced because that is exactly what defines the essence of our being. As I sit here and write down my overflowing thoughts my lungs are stained and my heart is recovering, but my head sits firmly on my shoulders…it hasn’t been there for a while. • 3:41 am  •  27 April 2014  

I finished reading my words, I looked up and in that moment I felt something that I had never experienced before, exposed. For the first time my art wasn't just my escape—it became my reality. Since that day I haven't stopped writing, I haven't stopped drawing and I will never stop creating.

My head is still in the clouds, I'm just trying to keep my feet on the ground.

P. S.

Iris Van Imagination

Up until this point I have harped about physical creative spaces and the emotion and inspiration that they spur. Today I'm going to take a bit of a different approach to creative space in terms of visually inspiring and idea fueling imagery. I have dabbled in many art forms, be that writing, drawing or design. Fashion has for many years held a special place in my heart, being 14-years-old I had stepped into a world that was intriguing yet terrifying—the modeling industry. From the many young models I have had the pleasure to work with and befriend, I always seemed to steer conversation in a different direction than measurements and castings. I more often than not rather discuss the creative process that went into fashion shows and shoots because it piqued my interest as to how these designers, stylists, makeup artists, hair stylists and photographers came up with the concepts for their work that in the end always became a beautiful composition. That being said, over the years fashion has been an integral part of my life academically, creatively and personally. As most industries, fashion is in perpetual forward motion yet innovation usually only comes in the terms of design, but what if that could be taken one step further—technologically. 

Meet Iris Van Herpen, a Dutch designer at the forefront the digital fashion movement. I stumbled upon this brilliant mind around FW16 last Spring and I was floored. Van Herpen digitized design and 3D printed garments that are impossible to make my hand and by impossible I literally mean humanly impossible. This past week during Paris Couture Fashion Week Van Herpen debuted her 10 year anniversary collection and the result was absolutely breathtaking. 

The fluidity of her garments seems natural, yet the pieces are not sewn via human hand, but computer code. Digitally designed garments can then be turned into code and programmed into a 3D printed and voila, you have fashion of the information age. The way in which technology has allowed for artistic imagination to have no bounds is magnificent, now garments that were not possible to make by hand have the potential to be created by a machine. 

I urge you to take a look and attempt to wrap your mind around the sheer progressive potential of the garment industry in itself. We are the future and individuals that have the bravery to color outside the lines of society are what keep our creative and pragmatic world constantly and consistently moving forward.

P. S. 

Visceral Victorian

As I have come to learn via this blog, it is difficult to pinpoint a particular space that appeals to the majority of people. My trip to the Met showed me that, although I have been multiple times it wasn't until yesterday that something clicked for me - art draws attention due to details. One thought stood out to me and rings true, I turned to my boyfriend and said "Do you know what the most underestimated aspect of this museum is? The frames." His response opened a door for me as he said "I've never actually noticed." I have been called a "meticulous artist" by one of my drawing professors because I obsessively spend too much time on the intricacies of my pieces, although when it comes to deadlines this dedication to detail is sometimes detrimental to productivity—in life it serves as a source of knowledge and awareness. Trekking further into the Met we stumbled upon an exhibit that I hadn't seen: The Wrightsman Gallery and my poignant attention to detail went wild.

As James started reading the descriptions of each piece of furniture, my eyes wandered to the walls and the lighting. The grandeur of the era overtook my consciousness and made me realize how much time and effort was put into the crown molding, the wall panelling, the crystals of the chandelier and the complete composition of a space. From the ceiling to the floor, everything blends in a gorgeously meticulous fashion. The lighting of each space is also something that caught my attention, now although you can't sit at the 18th century desk and write a midterm paper, you can note the ambiance of the space in terms of feel and atmosphere. The cohesiveness of each space proved to me that maybe I'm on to something while preaching about the importance and impact of ambiance on inspiration and motivation, but don't take my word for it. P. S. 

METatation

The Metropolitan Museum of Art has been woven into the fabric of Manhattan for over 130 years, its majestic structure is home to thousands of years of ARTifacts. This beautiful beast is comprised of countless different wings with an expanse of space for your mind to wander. Amongst the hundreds of priceless works by of Monet and Pissarro hidden away on the second floor lies the Met's newest exhibition: Commes des Garçons: Art of the In-Between.


Rei Kawakubo's radical chic is considered not only avant-garde design, but also art. What she calls "anti-fashion" has made its impact on both the fashion industry and within the creative world. I urge all of you to go and check it out for your selves as the exhibition only runs until September 4th. Just walking into the space I felt a rush of inspiration, not because every piece is a perfect example of design but rather the imperfection behind it all. Exposed seams, irregular shapes, gender neutrality - all coming together to form a ubiquitous feel of thinking outside the box. The starkness of the white walls in contrast with the abrupt garments brings about a different way of thinking, the strangeness of the experience almost challenges the onlooker into a different way of thinking. 



P. S. 

Chalk Point Concentration

The SoHo District of Manhattan boasts high-end boutiques as well as an abundance of chic eateries and in recent years has become home to a number of art galleries and studios. Hidden away on the corner of Broome and Thompson Street is a market-to-table gem, a restaurant whose heart is at the cross-section of fashion, art and food.

Chalk Point Kitchen, located at 527 Broome St. is not your typical trendy restaurant, it's mindfully trendy—if you will. Spearheaded by restauranteur Matt Levine and Michelin Star executive chef Joe Isidori, CPK opened its doors in April 2014 as one of the few market-to-table restaurants in New York City having not some, but ALL of its ingredients locally sourced in New York state. Since opening the local SoHo eatery has been featured in multiple publications including; Vogue, Interview and Vanity Fair putting this low-key spot on the art and fashion map almost instantly. Not only is Chalk Point a restaurant, but the basement of the space is a hidden away speakeasy piano bar with mixologists that will knock your socks off and the decor is reminiscent of stepping right into the Prohibition Era, except with modern fashion photography gracing the staircase and walls.

Knowing all too well that this spot is a favorite among New Yorkers, dinner and brunch are always hustling and bustling with an energy that is palpable. So I opted to pay them a visit during a weekday lunch, already knowing that I adore the atmosphere of the space. The entrance of this downtown staple speaks for itself being adorned with hundred of polaroid photos of its patrons, in just a short three years Chalk Point Kitchen has cultivated a culture and history all its own. The space itself is quaint, being barely 70 seats it provides a more personal environment complimented by an open air kitchen right behind the bar. With light pouring through the room, I was seated at an adorable white-washed corner table in a booth accessorized with Keith Haring art plates and red gingham napkins. With a menu that changes almost every month, its commendable to see a restaurant so keen on innovation and change—which also expands into their involvement by being part of and hosting events that work towards great causes including hosting a food pantry and raising money to build homeless shelters.  So much yes, just all around, cheers to CPK.

Coming in pen and paper in hand on a Monday around noon was a marvelous idea, the restaurant had just ended their lunch rush and things were winding down into a comfortable buzz of 80's light rock and quiet conversation. The wait staff was absolutely wonderful, my server Cesar was a superstar in more ways that one. Not only was he superbly  knowledgable about the menu, he is also an aspiring Broadway dancer with such a wonderfully inspirational energy. The summer lunch menu boasted a number of both vegan and vegetarian options, don't worry you can add chicken, shrimp, salmon or steak to just about everything outside the Acai Bowl—unless that's what you're into. I ended up going for the Heart Healthy Avocado Toast (because avocado, obviously) and the Vitamin Powerhouse Chicken Bowl, both of which were well balanced, very fresh and simply delicious. It is obvious how much heart is put into every aspect of the restaurants atmosphere, its homey and comfortable with a heaping handful of happy.

Grab a book and go hangout at Chalk Point Kitchen and then you'll understand what you've been missing!

P. S.

Fostering Focus

As an artist, the thirst for creative expression is ever-present. As a student with a full-time job, bringing conception to reality sits at center gravity on a delicate scale of inspiration and motivation. Creativity is believed to be spontaneous by nature, yet the creative process is in itself a convoluted mechanism that is not unilaterally defined. The intricacies of the individual mind are manifold, thus divergent minds need different spaces in order to flourish. Visual atmospheres are a key component of fostering focus in physical spaces.

Personal identity is the driving factor for choosing an environment that encourages productivity and creativity. Some prefer being tucked away behind library corners and hidden by books in solitude and silence, others find inspiration sitting outdoors while immersing themselves in the noise and chaos of the city; individual predilections are bound to vary. I believe there is one specific factor that provides physical spaces the ability to influence creative performance and enhance ideation—ambiance, an interplay between the interior design, lighting and sound of a space. When I search for a location to make my creative home for a good couple hours, there are a few key elements that in my opinion create a perfect atmosphere. 

First, I'd like to touch upon lighting, both natural and artificial lighting must be taken into consideration. Natural lighting is proven to improve mood and alertness, the more windows a space has the better it is for your concentration. Now if you're more of a night owl (like myself) the interior lighting is crucial. In my opinion dimmer lighting works to my favor in that it makes the space feel more comfortable thus allowing me to delve into my creative consciousness. The important aspect of a dimly lit environment is that the lighting should be warm yet still bright enough to be able to read a book or scribble in a notebook, think vintage mahogany reading room. A recent study published in the Journal of Environmental Psychology by two German psychologists, Anna Steidle and Lioba Werthh, examined the effect of light and darkness on creative performance. The investigation determined that physical environment can in fact facilitate or impede the generation of new and creative ideas. The results revealed that darkness increases freedom from constraints, which in turn promotes creativity.

Next, we have the sound of a space which encompasses both music and the level of conversational background noise. Some individuals prefer silence in order to concentrate—to each their own, but a bit of sound is actually proven to be effective as well. A low to moderate level of ambient noise activates abstract cognition because it induces processing difficulty and consequently enhances creative performance. Conversely, a high level of noise impairs information processing, thus an equilibrium must be attained. If your local coffee shop is paying pop punk from the 2000's I'd say steer clear if you're looking to accomplish any task. Personally, I find playlists including a mix of classic music and acoustic soundtracks very stimulating in that they provide a sense of calm as opposed to silence which promotes self-consciousness. A low hum of conversation also works towards the space being creatively positive in that those around you are engaging in purposeful small talk, but that also brings about the crucial aspect of the type of staff and clientele—both of which should be unobtrusive.

To come full circle, I'd like to briefly touch upon the aestheticism of the physical space. Interior design lends itself to the overall atmosphere projected by an environment, which is a vital part of an establishment's socio-cultural identity that determines what kind of patrons the space attracts. I'll start with the basics, i.e., work space and seating, comfortable desk-height tables and chairs are ideal, but couches and coffee tables are also helpful—depending on the task at hand. Next comes decor, I personally prefer spaces that provide food for thought through their design, books and art adorning the shelves and walls being on the top of that list, complimented by a neutral color scheme.

The cohesive structure of a physical environment is a factor that many individuals don't take into consideration, yet there is a method to the madness. Everyone is different, but I truly believe that ambiance is everything when it comes to physical environments that foster focus, productivity and creativity.

P. S.

Ace Is The Place

While in college or working a demanding job, many New Yorkers don't have the luxury of having a workspace that promotes productivity. Being both a student and a working full time, my schedule pleads for a solace of sorts. Libraries have gotten stale over the years and Starbucks just doesn't cut it anymore. After losing the concentration game time and time again, I began my mission to find a space where my mind could let go of anxiety and my thoughts could finally find clarity again. So where does an inconspicuous silent meeting of the minds occur on a daily basis—The Ace Hotel, its lobby to be exact. The space is decorated with a melange of furniture and people alike, the atmosphere is quintessentially quirky with just enough ambiance to foster a sense of belonging without uttering a whisper to the millennial typing away on their Macbook two chairs to your left. 

The Ace Hotel sits on the corner of Broadway and 29th Street in midtown Manhattan, the building, erected in 1904, still stands as a commanding piece of architecture in what was to become an avenue of hotels. Originally The Breslin Hotel, the 344 room property was one of the most renowned residence hotels in the early 20th century. In 2008 the Ace Hotel Group bought out The Breslin's existing lease and in 2010 the architectural firm Roman & Williams completed what is now a property that layers both the old and new and draws business professionals and creatives alike. The lobby's communal workspace is a mix of the old and the new, with library style tables and velvety red couches, the dimly lit space boasts high ceilings and a jazzy soundtrack, all aspects being held together with the low hum of unobtrusive conversation. Those visiting the Ace in need of some inspiration can immerse themselves in the creative essence of the lobby's atmosphere, which is accented by books and paintings and brought to life through the unique clientele.

The Ace also offers an array of food and beverage choices including, Stumptown Coffee Roasters, The Breslin Bar & Dining Room, John Dory Oyster Bar and No. 7 Sub, all accessible without giving up your seat at the table next to an outlet. You can spend hours at The Ace without missing a beat and if you're productive enough maybe your night will end in a dance party. I'm not kidding, the Ace hosts "Lobby Nights" which feature a different DJ every Wednesday and Saturday night at 10:00 p.m. where the lobby itself turns down the lights and turns up the funk. 

As you leave the lobby, look to your left and painted above the front desk there is a phrase that just might keep you coming back for more: Excelsior—ever upwards.

P. S.

Slowly Drifting in NYC

My name is Paulina and I am a creative. Like many others, I came to New York City in the hopes of finding myself and my creative identity, yet over the years I have come to realize that amidst my chaotic soul searching I had ended up losing myself instead. Throughout the five years I have called this city home, I constantly find myself being pushed to figure out what sort of environment fosters my creativity, be that writing or sketching. I invite you to join me on the search for people and places that drive creative inertia.

It's 9 a.m. I'm the first one here. Bedford Street as the city awakens. My table, flanked by the coffee machine and the front window, affords me a sense of privacy, where I withdraw into my own atmosphere...The small café feels chilly. So why are the fans turning? Maybe if I stare at them long enough my mind will turn as well. It's not so easy writing about nothing. -Patti Smith, M Train

Patti Smith and I share two specific things, our conveniently literarily relevant initials P.S. (post script) and our passion for stream-of-consciousness writing. It's a beautiful thing to have the ability to exist in a current moment both mentally and physically, but with our lives moving a million miles a minute it is often difficult to find a space that fosters presence. Smith effortlessly describes her current state of being—simple and honest, yet striking. Even in her admittance of feeling uninspired, she refers to her environment to find a spark of inspiration. This blog is an homage to the daydreamers, the artists, the writers, looking for moments in a city of divine chaos. 

My head is still in the clouds, I'm just trying to keep my feet on the ground. Whenever I feel lost I always remind myself that; right here, right now, I am here and nowhere else. 

Let's make moments.

P. S.